Deciphering the meaning of the Triskele or Triple Spiral

The Triskele or Triple Spiral symbol appears in many ancient cultures and is also visible in the astronomical calendar in Newgrange's megalithic tomb which dates back to 3200 BC. The symbol is often associated with ancient Celtic jewelry and culture but, in fact, it originates from a time before then.

The Triskele is a complex symbol and commonly labelled as one of the most convoluted for specialist symbolists to decipher as it is believed that it is has a number of different meanings and references from the ancient Celtic era.

The Tara Brooch - An iconic piece of early Christian Celtic jewelry

Ancient Irish Celtic jewelry and design has always inspired the craftsmen of today with a wealth of discovered artifacts over the years. Probably the most recognizable example of early Christian craftsmanship is the Tara Brooch. The Tara Brooch is an elaborately decorated Celtic brooch, discovered in 1850, which has been dated back to approximately 700 AD and is generally considered to be possibly the foremost example of this era of over 50 elaborate Irish brooches to have been discovered. It was found in 1850 and rapidly recognized as one of the most important works of early Christian Irish Insular art; it is now displayed in the National Museum of Ireland in Dublin.

This early Christian pseudo-penannular brooch is approximately seven inches in length and is made composed of silver-gilt embellished with ornate decoration. It is suggested that the brooch was made from many pieces which were all put together to form the final masterpiece. It was made in many pieces, with much of the decoration on small "trays" or panels which were then fixed into place. When it was found only one panel of decoration was missing, but several more have now disappeared, apparently before 1872, when it entered the collection of the Royal Irish Academy, who later transferred their collection of antiquities to the new National Museum.

The design, the techniques of workmanship (including filigree and inlaying) and the gold, silver, copper, amber and glass are all of high quality, and exemplify the advanced state of the Irish goldsmith trade during the course of the seventh century. The brooch has a pseudo-penannular form. Like most brooches of the period, it contains neither Christian nor pagan religious motifs, and was made for a wealthy patron, almost certainly male, who wanted a personal expression of status. It is probably the most spectacular, and one of the best preserved, of several dozen high-status brooches found throughout the United Kingdom and Ireland, but more commonly in Ireland. Although similar in style, each has a completely individual design in detail. Precious metals are used, but only semiprecious stones.

The name "Tara Brooch" would infer a direct link with the Hill of Tara, which was historically the seat for the High Kings of Ireland, however, the Tara Brooch has no discernible connection with the Hill of Tara or in fact the Hugh Kings of Ireland. The brooch, following its discovering on a beach in County Meath back in 1850, was given the title "Tara Brooch" as a way of creating a link with the majesty of High Kings of Ireland. The exact meaning and history of this Celtic jewelry ornament is still not fully understood. 

The emergence of Celtic revival jewelry in the late 19th century saw the Tara Brooch used as an inspiration to replicas and imitations. During the 1870's, the brooch passed into the possession of the National Museum of Ireland.

The Tara Brooch design and mystic continues to the design of Celtic jewelry to this day, with many modern stylists using this now popular Irish symbol within the designs of Celtic pendants, personalized Celtic jewelry and unique Irish gifts. The brooch became a popular piece of Celtic Jewelry that was worn by both men and women due to the practical purpose they fulfilled in fastening caps, cloaks and other clothing.